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'It is not easy to pull off a seven-part show because it is almost like making four films at once.'
'She is a very thoughtful actor.' 'She is in the industry not only because she is beautiful, but also because she is sensible.'
Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.
'Any flight I take, the crew write personal notes to me, saying how good I was as Soudamini or Seema or Bulbul.'
'Suvinder Vicky in Kohrra. Manoj Bajpayee in Joram. Mohammed Zeeshan Ayyub in Joram and Scoop. Gagan Dev Riar in Scam 2003. Sukant Goel in Kaala Paani.' 'The number of awards will not be enough for the kind of work that has happened this year.'
Afsar Dayatar/Rediff.com worked hard through the year to capture movie stars on camera, and here are some of 2023's most entertaining moments.
The play-off between Prabhas and Prithviraj is the high-octane fuel that lends Salaar momentum, observes Mayur Sanap.
Dunki doesn't have any repeat value unlike other Hirani films. And that perhaps is saying a lot, notes Mayur Sanap.
The actor is as entertaining at press conferences as he is in the movies, and he keeps the proceedings light -- and fun -- and Hitesh Harisinghani/ Rediff.com and Afsar Dayatar/ Rediff.com capture them.
Merry Christmas brims with Sriram Raghavan's signature style and ample cheeky look-what-I-did-there moments.
'Rapists do have families. I wanted to see how a father or mother would deal with it.' 'They go through shame as well and get discriminated from the rest of the village.' 'Why don't we show it that way?'
Sandeep Singh's directorial debut Safed saw a beautiful musical night, featuring performances from Sonu Nigam and Rekha Bhardwaj among others.
'When I was rejected last year, I told myself I won't give up.'
'In Bangladesh, I have played so many dynamic characters, be it a freedom fighter, a circus trapeze artist, sex worker, and many more.'
'I only challenge myself in every way possible and feel that an actor's job is to be universal.'
The trailer launch of the Netflix film Kho Gaye Hum Kahan, starring Ananya Panday, Siddhant Chaturvedi and Adarsh Gourav, was not a regular media interaction.
With this film, Siddharth Anand seems to have cooked up another hit recipe that blends blockbuster film-making with star hysteria, observes Mayur Sanap.
Mast Mein Rehne Ka is a thoroughly human film, which makes you laugh as hard as it will make you feel for the characters, notes Mayur Sanap.
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